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Written
originally for, and performed by, the
Yvonne Arnaud Youth Theatre, Guildford in July 2005 |
David Perkins - the
same composer that wrote
'Shake Ripple and Roll' and 'The Selfish Giant' |
| The
show opens with a brief Prologue as the
Vizier's daughter Sheherazade tells her
younger sister Dinarzade, a bed-time story
on the eve of King Shahryar's wedding. All
the population celebrates The King's Wedding.
Everyone is happy and secure until the King
discovers he has been betrayed by his wife
and has her and her lover executed. He vows
he will never again let a woman take advantage
of him and announces he will marry a new
wife each day and have her executed the
following morning. After Many Weddings,
Sheherazade volunteers to marry the King
and bring an end to the deaths.
Sheherazade persuades her distraught father
to arrange the marriage and explains to
Dinarzade how she plans to save her own
and the kingdom's other women's lives -
by telling stories. Sheherazade's Wedding
is a more sombre affair with everyone in
the kingdom expecting her to become yet
another victim. The King and Sheherazade
process to his chamber for her wedding night.
On The First Morning after the wedding,
Sheherazade persuades her husband to allow
her to tell Dinarzade a final story, he
decides to listen as well. She launches
into the story of Ali Baba and the Forty
Thieves (Part One). The story comes to life
and the King becomes wrapped up in the fortunes
of Ali Baba, his brother and the thieves
but is angered Later the First Morning when
Sheherazade stops half way through the story
saying it is time for her execution.
With nobody able to tell him the end of
the story, Shahryar decides to let his wife
live another day so that she can finish
the story later that night. Her strategy
has worked. Later that day Sheherazade tells
the story of Ali Baba and the Forty Thieves
(Part Two) and speaks through the night
until The Next Morning when it is time for
the Swordsman to do his work.
Asked by Dinarzade if she is afraid of
dying, Sheherazade replies saying she is
no more afraid than the fisherman who found
a genie in a bottle in one of their favourite
stories. The King demands to hear the story
and announces that his wife will remain
alive another day in order to tell it. She
tells the story of The Fisherman and the
Genie, delighting the King. After the story
Sheherazade Sleeps and the Citizens show
their concern for her future, while the
King decides that he will not let the situation
continue. The act ends with Shahryar telling
the sleeping Sheherazade that it is time
to end her life.
In Act Two, King Shahryar explains to the
Vizier that he has become fond of Sheherazade
but is afraid her love for him will go the
same way as his first wife. Because of that,
the King has decided she must die. And so
Sheherazade Faces Execution. As she walks
towards her fate, she reminds her sister
of another story which at the last moment
the King demands to hear. Sheherazade is
reprieved once more. Needless to say everybody
except the Swordsman is delighted. Later
that day Sheherazade tells the story of
The Ass and His Ass. At the end of the story
an amused King talks of future stories but
adds a reminder that he is still in control
of his wife's destiny.
The Citizens explain how the stories continue
for more than a year. On one night, Sheherazade
and Dinarzade tell him the story of The
Little Beggar and hint that the next story
will be that of Sinbad the Sailor. The King
looks forward to Sinbad; his feelings for
Sheherazade have grown to love.
Sheherazade has been telling stories to
her husband for 1000 nights. Her execution
is barely mentioned. On the 1001st night
she tells the King she has run dry of stories
and reminds him of his vow that the end
of the stories would mean the end of her
life. He is distraught until she says she
has one more story but that she does not
know the end of it. He insists she tell
the story and so she begins Sheherazade's
Story. It soon becomes clear she is telling
him his own history as she talks of how
a young girl loved the King despite his
becoming a tyrant, killing wives day after
day. He angrily interrupts but she tells
him it is her own story and continues until
she reveals that she is expecting the King's
child. King Shahryar is delighted, proclaims
that the death sentence upon his wife is
lifted and, in the Finale, they sing of
their love for each other and are joined
by the Citizens who sing the main theme,
Arabian Nights.
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| Cast Total (18m, 9f, 11m/f)
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Sheherazade
: (f) Beautiful and wise beyond her
years. She is a renowned story-teller
and is very resourceful, thinking on
her feet in the most dangerous of moments.
Despite his reputation, she has always
loved the King, a love that grows as
the show goes on. She is dutiful towards
her father and adores her sister. She
is as comfortable in a playful moment
as she is in the times when serious
formality is required. |
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Dinarzade
: (f) Sheherazade's younger, innocent
and devoted sister. Very trusting and
plays her part in the initial deception
of the King. |
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The Vizier
: (m) Father to Sheherazade and Dinarzade
as well as the King s chief adviser.
Wise and extremely formal but adores
his daughters and is very protective.
Once the King has married Sheherazade,
the Vizier is constantly on edge and
expects his daughter to be killed. Lives
with the conflict between his love for
his family and duty to the King. |
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King
Shahryar : (m) At the start of
the show he is as happy as anyone could
be but soon he is dreadfully hurt and
his trust in women disappears. He is
seen by most as being a brutal and ruthless
tyrant with no sense of mercy. There
is, however, always a sense that the
King we saw at the beginning is still
there struggling to get out. He has
a dry sense of humour. His relationship
with Sheherazade grows subtly as time
goes by and their exchanges become warmer
until he is able to shake off his brutality
and return to his true self. |
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First Queen
: (f) Unfaithful to the King |
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Masoud
: (m) A slave. |
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Swordsman
: (m) |
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Second
Wife : (f) |
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Third Wife
: (f) |
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| Ali Baba and the Forty
Thieves (3m, 2f, 4m/f) |
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Ali Baba
: (m) A cheerful and honest, but at
the same time opportunistic, woodcutter.
He is a good and generous man and loves
his wife despite her shrewishness. |
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Raiyah
: (f) Ali Baba's wife. Ever so slightly
greedy. She loves her husband but does
not hesitate to nag him. She is not
certain she trusts Morgiana and is competitive;
Morgiana is, after all, very pretty. |
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Chief Thief
: (m) Larger than life and deliciously
evil. Would not think twice about slicing
off a head for the merest of slights.
Should be very tall or very short (if
short he should have a bit of a complex).
A classic villain. |
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Dim
Thief : (m/f) |
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Little Thief
: (m/f) |
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Tiny Thief
: (m/f) |
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Kasim Baba
: (m) Ali Baba's brother and a bully.
Already wealthy, he is greedy for more
and it is this greed that leads to his
come-uppance. |
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Morgiana
: (f) Beautiful and clever. She is a
loyal servant to Ali Baba and saves
his life thanks to her quick thinking.
(Needs a talented singer and dancer). |
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Cobbler
: (m/f) Money-grabbing and boastful.
It is his loose tongue and small-trader
greed that leads Chief Thief to Ali
Baba. |
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Forty Thieves : Any number, either
sex |
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| The Fisherman and
The Genie (2m) |
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Fisherman
: (m) Poor and slightly sorry for himself.
Witty and quick. |
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Genie
: (m) Classic big tough statuesque hunk
of a genie. Gullible. |
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| The Ass and His Ass
(2m, 2m/f) |
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Stupid
Farmer : (m) Almost a Simple
Simon character. Very easily conned
because of his stupidity and good nature.
Never realises he’s been had,
indeed believes he’s avoided being
taken for a ride. |
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Robber 1
: (m) Smart and sly and thinks quickly
on his feet. Bit of a ‘geezer’
and uses a chirpy cheery personality
to con the Farmer. |
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Robber 2
: (m/f) Not as clever as the other Robber
and does what he’s told - he does
the ‘donkey’ work! |
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Donkey : (m/f) |
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| The Little Beggar
(4m, 2f, 3m/f) |
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Little
Beggar : (m) Small and cheerful
despite his poverty. Needs to be physically
supple in order to be flung about during
the story. |
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Tailor
: (m) Wealthy member of the community,
bit of a snob and a social climber.
Quite prepared to dump the Beggar to
avoid getting into trouble. Confesses
in the end. |
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Tailor's Wife
: (f) Similar to the Tailor. A merry
hostess, full of laughs, until the Beggar
appears to have choked on her fish. |
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Doctor's Servant
: (f) Kindly to others but shrewish
to her master. Very keen to avoid blame
for the Beggar’s apparent death. |
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Doctor
: (m/f) Bit of a silly-ass. Dedicated
but probably not a very good doctor
but swift to take action to avoid paying
blood money when it appears he/she is
responsible for the Beggar’s death.
His/her better nature surfaces when
he confesses. |
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Cook
: (m/f) A rough and ready character,
not a pristine chef at all. Prepared
to commit violence to protect his/her
food but falls apart when he/she thinks
the Beggar is dead. Recovers to hide
the body to avoid blame. |
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Slave Hassid
: (m) Lowest of the low with a chip
on his shoulder. Although very drunk
when he ‘kills’ the Beggar,
this should not be over the top drunk
acting. |
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Judge
: (m/f) ‘Fraitfullay’ posh
and slightly short-tempered authority
figure. Should be played by a smaller
person. Relishes passing the death sentence. |
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Guard : (m) |
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| Sinbad The Sailor
(3m, 2m/f) |
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Sinbad
(the Porter) : (m) A humble but
resentful courier who bemoans his fate
- his station in life is ‘all
the fault of others’. Gradually,
however, as Old Sinbad tells his tale,
Porter Sinbad changes to a happy-go-lucky,
glad-to-be-alive character. |
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Old Sinbad
: (m) Kindly, but lonely, and very old
version, of the famous young sailor/adventurer.
He is delighted to find someone to tell
his stories to. Uses his adventures
as a moral for the Porter to understand
that his life could be worse. |
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Young Sinbad
: (m) Resourceful and hardy traveller.
He begins as a spoilt rich young man
who has wasted his fortune but, through
his travels and travails, he regains
his wealth, learns to realise its value
and becomes a generous benefactor. |
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Servant : (m/f) |
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Captain : (m/f) |
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Crew : Any number, either sex |
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Hunters : Any number, either sex |
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Flexible; any size,
any sex, all ages.
These are the Citizens and a host
of other characters (viz Guards, Thieves,
The Cave, Market Traders & their
Customers, Donkeys, Street Performers,
Dancers, Buildings, The Sea, A Whale,
The Roc, The Roc’s Egg, Snakes
etc.
As Citizens, the chorus is similar
to a Greek Chorus, narrating the story
of the King and Sheherazade throughout
the play. They also play all the characters
in the stories. Apart from the four
central characters - Sheherazade,
Dinarzade, King Shahryar and the Vizier
- the Chorus can be played by as few
as fifteen people or as many as fifty
or more. When not involved in stories
they can either be off-stage or sitting
quietly watching the action. In the
original production the chorus was
used to create scenery as well as
characters, eg Ali Baba’s cave,
the Roc, its egg, the whale, a balcony
to throw the Little Beggar over etc.
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| (Click
on a title to hear a Windows Media clip) |
| 1) Opening |
Orchestra |
| 2) The King's Wedding |
Vizier, Sheherazade, Dinarzade
& Chorus |
| 3) The King's Wedding
(Reprise) |
Vizier & Chorus |
| 4) It Wasn’t Always
Like This |
King Shahryar |
| 5) Arabian Nights |
Sheherazade & Dinarzade |
| 6) The King’s Wedding
(Reprise) |
Chorus |
| 7) We’re Thieves |
Chief Thief & Thieves |
| 8) We’re Thieves
(Reprise) |
Chief Thief & Thieves |
| 9) Arabian Nights (Reprise) |
Sheherazade & Dinarzade |
| 10) Deception |
Morgiana (sings & dances)
& Raiyah (dance only) |
| 11) Sheherazade |
Solo, King Shahryar, Dinarzade,
Vizier & Chorus |
| ~~ Interval ~~ |
| 12) The Ass & His Ass |
Farmer, Robbers & Chorus
(with solos) |
| 13) Arabian Nights (Reprise) |
Sheherazade |
| 14) I Killed the Little Beggar |
Judge, Slave Hassid, Cook, Doctor, Servant,
Tailor, Tailor’s Wife, Little Beggar,
Sheherazade, Dinarzade, King Shahryar &
Chorus |
| 15) Why Should It Be Me? |
Porter Sinbad |
| 16) Sinbad’s Return |
Young Sinbad & Chorus |
| 17) Why Should It Be Me? (Reprise) |
Porter Sinbad |
| 18) Finale |
King Shahryar, Sheherazade & Chorus |
| 19) Bows / Encore |
Company |
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| Orchestration
/ Band Parts |
| These are available
for hire as follows :- |
- Violin
- Trumpet 1 (Fluegelhorn double)
- Reed 1
- Reed 2
- Reed 3
- Bass (Electric)
- Drum Set
- Piano (Acoustic or Digital. Also for use by
MD / Conductor )
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| Duration |
: 110 mins |
| Acts |
: 2 |
| Cast |
: 18m, 9f, 11m/f |
| Sets |
: 5 |
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| Other Youth Musicals |
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