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This
item is only available from P&M to customers in UK and Europe.
If you are outside this area, please visit www.bernardjtaylor.com
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"Various
other attempts at adapting Wuthering Heights for
the stage have been submitted to the Brontë
Society in the past, but Bernard Taylor's adaptation
is the first that I have really approved of and
would be prepared to support." |
Dr
Juliet Barker (former Curator and Librarian
of the Brontë Museum) |
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The
haunting image of Heathcliffe searching
the moors
for the ghost of his beloved Cathy must
be one of the
most eternally passionate scenes in English
literature. |
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| Mr
Earnshaw, father to Cathy and her elder
brother Hindley, rescues a poor starving
boy from the docks of Liverpool. Heathcliff
thus enters the ‘House On The Hill’,
and the wild gypsy boy falls for Cathy,
but attracts nothing but hatred from Hindley.
Over the years, Cathy and Heathcliff become
inseparable as they roam the moors together,
but when Mr Earnshaw dies and Hindley becomes
master at Wuthering Heights, Heathcliff
soon begins to feel the full force of that
resentment. He endures the day-to-day difficulties
of living under the same roof as Hindley
only because of his love for Cathy.
When Cathy is bitten by a dog owned by
wealthy Edgar Linton, Heathcliff gets to
meet Isabella, Edgar’s sister. She
immediately becomes secretly enamoured with
him, and during Cathy’s recuperation
at Edgar’s house he develops feeling
for her. On her return to Wuthering Heights,
full of the delights that a wealthy existence
brings, she finds her relationship towards
Heathcliff has changed; she wants him as
a friend, but wants Edgar as a husband.
Distraught, Heathcliff storms off onto the
moors. Cathy, still in love with Heathcliffe,
follows him in order to placate him, but
unable to find him she returns, bedridden
with a severe chill. Heathcliffe doesn’t
return, but decides to travel abroad in
an attempt to forget about her.
A number of years pass in which Cathy
marries Edgar receiving wealth and power,
but is not really in love with him, and
she begins to regret the marriage. Meanwhile,
Heathcliff decides to return and try and
rekindle his bond with her. On the way,
quite by chance he meets Hindley at a game
of cards and with Hindley drunk and boastful,
Heathcliff wins the game and also wins the
deeds to Wuthering Heights. Hindley advises
Heathcliff that Cathy is now married, which
information causes Heathcliff to reconsider
his plans. He returns to Wuthering Heights
where the roles are now reversed - he is
the master and Hindley the tenant. Some
years pass until he meets not only Cathy
again, but Isabella, who is unmarried. Heathcliff
becomes a frequent visitor to the Linton’s
house, partly to pursue Isabella, but also
to make Cathy jealous. Isabella marries
Heathcliff and moves to Wuthering Heights
and when Heathcliff’s true intentions
are revealed, Hindley unsuccessfully tries
to get Isabella to murder him.
The wild moors finally draw Heathcliff
and the ailing Cathy together for a final
passionate reconciliation before she dies
in his arms, returning ghost-like to haunt
his memory forever.
The magnificent music that perfectly complements
the dialogue was captured on a concept CD
featuring Lesley Garrett, Dave Willetts
and Bonnie Langford.
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Bernard
J Taylor has lovingly recreated the passion and
atmosphere redolent in the novel in this superb
musical. With a title such as this, the story
is immediately attractive to an audience as well
as to Directors, casts and crew. |
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"This
is what stage music should be - passionate,
powerful, melodic ...” |
Mike
Gibb (Masquerade Magazine) |
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| Principals
(3m, 4f) |
| Cathy
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| Heathcliff
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| Nellie
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| Older
Nellie - |
| Hindley
- |
| Edgar
Linton - |
| Isabella
Linton - |
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| Support (3m,
1f, 2jnr-m, 1jnr-f, plus chorus) |
| Lockwood |
| Earnshaw - Father to Cathy and
Hindley |
| Young Heathcliff |
| Young Cathy |
| Young Hindley |
| Williams - a butler/manservant |
| Maid |
| Chorus: |
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Sailors (from the male
chorus) |
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Docker, 1st & 2nd Women (small
speaking roles only) |
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Male Mourner (small solo) |
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Wedding Guests 1, 2, 3, 4 & 5 |
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Gamblers 1, 2, 3, 4 (small solos each) |
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Boy (small speaking role only) |
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Crew Members |
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Dancers |
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Liverpool crowd, Earnshaw employees,
farm people, farmhands, local villagers,
Linton’s servants and estate workers,
doctors & nurses, etc. |
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| 1) Prologue |
Orchestra |
| 2) Beyond
Understanding |
Older Nellie |
| 3) Liverpool |
Older Nellie & Chorus |
| 4) Goodbye
Ladies |
Sailors |
| 5) Wuthering
Heights |
Earnshaw |
| 6) Summers
Of Childhood |
Chorus |
| 7) You
Were My First Love |
Cathy & Heathcliff |
| 8) They
Say He’s A Gipsy |
Cathy & Chorus |
| 9) How
Soon The Winters Come Along |
Cathy, Heathcliff, Edgar, Woman,
Male Mourners 1-2 & Chorus |
| 10) Where Is That
Boy |
Hindley |
| 11) Wuthering
Heights |
Nellie & Chorus |
| 12) Cathy! |
Heathcliff |
| 13) Up Here With
You |
Heathcliff & Cathy |
| 14) The Life of
a Gentleman |
Williams, Maid & Servants |
| 15) That Gipsy
Boy |
Isabella |
| 16) I See A Change In You |
Heathcliff & Cathy |
| 17) One Rules My Heart |
Cathy & Nellie |
| 18) I Have No Time
For Them |
Hindley |
| 19) He’s Gone |
Cathy |
| 20) Let Her Live/ / My Vengeance |
Chorus, Heathcliff, Crew Members |
| ~~ Interval
~~ |
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| 21) The Gypsy Waltz |
Orchestra |
| 22) Who Shall I Wed? |
Isabella, Edgar, Guest, Guests 1 - 5 |
| 23) I Belong To The Earth |
Cathy |
| 24) Coming Home To You |
Heathcliff |
| 25) Gambling Song |
Hindley, Gamblers 1 - 4 |
| 26) All For Nothing |
Heathcliff |
| 27) The Pleasure Of Your Company
|
Cathy & Edgar |
| 28) I Can’t Believe It’s
You |
Cathy & Heathcliff |
| 29) I Want To Be With Him |
Isabella |
| 30) Don’t Do It! (Reprise)
|
Edgar, Isabella, Cathy, Heathcliff |
| 31) Take This Gun |
Hindley |
| 32) If Only |
Isabella |
| 33) Heathcliff’s Lament
|
Heathcliff |
34) How Soon
the Winters Come Along |
Chorus, Cathy, Boy, Male
Mourners 1-2, Older Nellie, |
(Reprise) |
Edgar & Heathcliff |
| 35) Beyond Understanding |
Older Nellie, Chorus & Cathy |
| 37) Up Here With
You (Reprise) |
Cathy, Heathcliff & Chorus |
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| Orchestration
/ Band Parts |
| These are available
for hire as follows :- |
| Flute
Bass
Horn
Oboe
Trumpet
Violin 1 |
Violin 2
Cello
Keyboard
Percussion
Timpani
MD's Full Score |
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| Duration |
: 130 mins |
| Acts |
: 2 |
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| Principals |
: 3m, 4f |
Support |
: 3m, 1f and |
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3m juniors and |
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1f junior and |
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chorus |
| Sets |
: 12 |
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