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An
important moment of history is highlighted
in ‘The Revolutionaries’. The
theme of the play is the fight for power
around the time of Lenin's death and takes
place in the aftermath of the 1914 Russian
Revolution. Lenin knew he was dying and
was concerned about who might be his successor.
He favoured Leon Trotsky, but as history
tells, Stalin was very much in the way.
The play deals with the scheming manoeuvres
and betrayals of the politburo (Zinoviev,
Kamenev, Radek etc) coupled with Trotsky's
psychological state of mind and his self-justifying
reasoning for giving into fear, weakness
and letting go of leadership. Enveloping
all this like a dark cloak is the unscrupulous
ambition and brutality that Stalin instigates
to secure his progressive grip on the succession
and on the party's machinery.
The story is set in two time periods -
during the revolution and then later on,
when the character of Old Trotsky (questioned
in the play by a 'Chairman' who remains
as a witness throughout) narrates from his
memoirs and implies that Stalin had a hand
in Lenin’s death. These two times
combine eerily with each other, giving the
play an exciting atmosphere of history and
realism. The conclusion is controversial
and the play ends with the accusation that
Stalin had Lenin murdered by poison.
The play is well researched, the pace
is swift and intense; full of action and
period details. The dialogue is clear and
entertaining. Somewhat male dominated (simply
reflecting the masculine nature of the times),
Lenin's wife, Krupskaya and the fiery revolutionary,
Kollontai are the main feminine characters.
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Principals |
Lenin - mid
50’s, tired-looking and close to being
worn-out, clear hypnotic voice |
Trotsky -
early 40’s, a male and military presence
vibrates with a charismatic vitality and a
cool, conscious self-possession. |
Stalin - early
40’s, short and slightly deformed, coarse
provincial accent, crafty, rarely smiles. |
Krupskaya
- early 40’s. Lenin’s wife. A
tall, thin, matronly woman with bulging eyes
wears a long, grey shapeless dress. |
Zinoviev -
an old bolshevic, mid-40’s, all nerves,
mercurial demagoguery and tousled hair, a
bit fat and pale. |
Kamenev -
an old bolshevic, the quintessential academician
in looks and temperament: urbane, moderate,
pleasant-mannered and well-spoken. |
Radek - an
old bolshevic. A monkey-ish looking small
man with curly side whiskers and a rubbery
face, horn-rimmed glasses and buck teeth,
restlessly lively, witty and sarcastic. |
Kollontai
- an old bolshevic. An attractive, mature
woman, she has an unmistakable bohemian air
about her despite the severe, but still shapely,
clothing. |
Molotov -
an old bolshevic, stocky like a bulldog, with
a round balding head and beady eyes behind
glasses. |
Gorky - the
writer; the Commissar of Culture, tall, lanky,
with long black hair and a moustache, he is
a youngish-looking man of bohemian distinction. |
Old Trotsky
- still proud and sprightly, but subdued and
pale, with thick white hair, goatee beard,
and tortoise-shell glasses. |
Mr Chairman-
an imposing white-haired man in a black suit. |
Nadya - Stalin’s
wife, a pretty but serious young woman. |
Support |
Doctor Foerster - a tall, distinguished,
grey-haired Germanic-looking man with a crusty
distinction. |
Natalya - Trotsky's attractive, petite wife. |
Svetlana - 16-18. Stalin’s daughter.
A pretty girl, picturesquely defiant in her
short shorts and tight white sweater. |
Worker Soldier - 30’s, an experienced,
street-wise man. |
Peasant Soldier - 18-22, a country bumpkin,
a redneck. |
The Butler - Lenin’s butler. |
Inessa Armand - Lenin’s mistress.
She appears as The Red Domino, a metaphor.
(non-speaking on stage, but a recorded voice
speaks a few lines) |
The Photographer - takes the official Party
photographs (non-speaking) |
Workers Delegation - three rough-hewn older
workmen (two are non-speaking). |
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Duration |
: 90 mins |
Acts |
: 2 |
Principals |
: 10m, 3f |
Support |
: 8m, 3f |
Sets |
: 1 |
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Full Length Drama ... |
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One Act Drama ... |
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