Full Length Plays  
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  • Silent Running (3m, 1f) BLACK COMEDY
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    Harry Falcon runs his entertainment agency like he runs his his life - on a downward spiral. His grip on both is weakening as each grip of the bottle of scotch strengthens its hold on him. Befriended by one of his female acts, he tries to rekindle his emotional side, but it is too late; she is spoken for, and his body and mind are way past redemption.
  • Behind Closed Doors (5m, 3f) DRAMA (Strong language & scenes of violence)
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    Set in 1969, when physical and mental abuse was a fact of life to many women, this play is about domestic violence inside marriage - a subject still regrettably topical over thirty-five years later. The engagement of two university students brings their families together, but breaks one of them apart.

  • Resonant Frequency (2m, 1f, 2m/f) DRAMA
  •   A young mother who gains a son then loses him; an immigrant Italian ice cream shop owner with a large heart but a murky past; a slightly psychotic boffin and a pair of slightly out-of-this-world people who interview the three others form the cast for this fascinating play. Boffin is a person walking a tightrope between genius and insanity, reality and fantasy. His invention and subsequent over-reaction to a simple incident involving Mother and Toni has the potential to snuff out all human life.
  • The Cherry Boys (9m,4f) DRAMA
  • A boy rating takes his first job on a cruise ship in the 1950's and is forced to come to terms with homosexual members of the crew when he is barely coming to terms with his own newly awakened interest in girls. A poignant story based on events that happened in real life; about relationships between, and in between, the crew and their passengers.

     

     
       
     
  • The Simple Process Of Alchemy (2m)
  •   Telling of the experiments and misadventures of two charlatan scientists, Fernando and Reynaldo in Renaissance Italy, the play provides an invigorating evening of surreal and silly entertainment. Bursting with clowning, caricature and competition, the actors play twenty-five parts between them they try to discover the ingredients of a love potion, the secret of alchemy and the true nature of the earth.
     
  • Dancing With Auntie (3m, 4f), 80mins
  •   When teenager Barry invites his new girlfriend to the family Christmas party, she has a catalytic effect on the rest of the household, bringing to the fore a secret that has been hidden for many years. Barry's father has some explaining to do to his niece and his son in an attempt to atone for his actions. A beatifully crafted, wickedly humorous play.
  • Love Is A Four Letter Word (5m, 5f) Two Acts (Strong language & content)
  •   Dave lusts after Jackie. Jackie yearns for romance. Jackie's mother yearns for perfection. Dave's mates lend a helping hand (or they interfere - depending on your viewpoint). The play stares the serious and sensitive subjects of marriage, relationships and responsibility firmly in the face, and doesn't blink or take a step backwards.
  • Playing Away (5m, 8f) (Strong language & content)
  •   Kath discovers that she's pregnant, and Alan (her husband) can't believe that he is the father. Being the landlord and landlady of a Northern pub provides a host of fascinating characters for Alan to wonder about. He might be the father, but there again ...
  • Pretzels For Dinner (3m, 4f) (Strong language & content)
  •   Annie and Bill have been married for 40 years during which time he has been the 'lord and master'. Even after death, he maintains a presence and keeps her on her toes. Only she can see and hear him, until finally she decides that she doesn't need him anymore.
  • Silent Running (3m, 1f)
  •   Harry Falcon runs his entertainment agency like he runs his his life - on a downward spiral. His grip on both is weakening as each grip of the bottle of scotch strengthens its hold on him. Befriended by one of his female acts, he tries to rekindle his emotional side, but it is too late; she is spoken for, and his body and mind are way past redemption.
  • Ugga! (the boy with a paper bag on his head) (7m, 3f, 1m/f) 80 mins. Suitable (with doubling) for TIE
  •   Inspired youngster or fashion victim? Who is this mysterious 'Ugga'? Why is he wearing a paper bag on his head? Is he mad or is he making a bold statement? These are the questions that new English teacher, Mr Jones has to answer when he starts at his first school. Join him in his quest to find the truth; join him in his quest to find out what lies beneath the paper bag.
  • Stand And Deliver (4m, 10f) (Strong language & content)
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    Winner - AUDIENCE AWARD : Wakefield Drama Festival, 2009, (JABA Players)
      In a small Maternity Ward, Sister Mitchell and Nurse Walker have to contend with four pregnant women and their other half's (or mother in one case) each with different reasons for being pregnant and different views on births, deaths and marriages. It may sound like an unlikely setting for a comedy play, but Janet Shaw has a talent for turning the most incongruous situation and poking fun at it, or the people in it. Great fun!
  • Stopped Interrupting (4m, 4f)
  •   A play within a play (sort of). When a performance looks likely to be cancelled due to a missing actor, the author of the play agrees to stand in for him. A few minutes into Act One, the cast are perturbed by a lady member of the audience standing up and claiming that she wrote the play not the supposed 'author' on stage. It transpires that they were in love many years ago, but broke up and haven't seen each other since. Did the script get snaffled? Why did they break up? How will the cast cope with this unusual and testing situation?
  • The Village Hall (9m, 8f) four 30 min linked one-act plays (or play 2, 3 or 4 in combination)
  •   That hallowed institution - the Village Hall, scene of unparalleled local country dramas is the setting for these four comedy plays. Each play stands up in its own right, but the quartet could be played together in many combinations. Each play features one or two main characters and their particular use of the Hall, a Jumble Sale, the Amateur Dramatics group, the scout's Gang Show and the Wedding Reception..
  • Tie Break (4m, 4f, 1m/f)
  •   When 94 year old Vincent arrives at Clive and Ann's house with 21 year old Melanie, and it's announced they are engaged, everybody suspects of her of being a gold-digger. After she leaves, they discuss theories as to how she could 'bump the old codger off' without getting caught. Later, a policeman arrives to quiz them on the sudden demise of Vincent.. Is he all that he seems though? What does he say when the real Vincent arrives?
  • A Phoenix Rising (8m, 6f)
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    What happens in a society that has lost its way and is in a state of civil unrest? What if certain people with influence decided to help create and promote the idea of a new messiah? Modern technology with all its creativity can produce images which could convince the most ardent sceptic, so why shouldn't a troubled church organisation harness it for its own ends?

  • Behind Closed Doors (5m, 3f) (Strong language & scenes of violence)
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    Set in 1969, when physical and mental abuse was a fact of life to many women, this play is about domestic violence inside marriage - a subject still regrettably topical over thirty-five years later. The engagement of two university students brings their families together, but breaks one of them apart.

  • Fate (4m, 5f) (Strong language & content)
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    When the warped minds of two families being joined in marriage intertwine, the results are a devastating mix of incest, lies, bribery, fraud and adultery. Left to themselves the four flawed relationships in the two families must ultimately lead to their self-destruction. Only fate can take a hand in the proceedings to change the outcome for two of the characters.

  • Glimpse Due Solace (7m, 5f) (Very strong language & content)
  •   The play explores the way love and guilt manifest themselves inside human relationships: the flowering and de-flowering; the living and dying, shouting and crying. Are love and guilt insistent? Always. Are they persistent? Occasionally. Are they consistent? Never.
  • In (3m, 3f) (Very strong language & adult content)
  •   A psychotic and homosexual private investigator who despises prostitutes gets hired by a husband who is curious to know if (and why) his wife is being unfaithful to him. Why does she visit the doctor's so regularly?
  • Love, Marilyn (11m, 5m)
  •   One of the 20th century's classic icons, Marilyn Monroe continues to fascinate. This play attempts to explain why her character developed the way it did, and provides an insight into her last few tragic hours. Requires a young, competent actress to play the title role as she is alone on stage for 15 mins at the end of the play.
  • Portrait Of Dylan (4m, 3f) (Strong language & content)
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    The short, enigmatic life of Dylan Thomas was one filled with emotion, artistic endeavour and alcohol. A man of passion and poetry, a womaniser, a Welshman. Charting the years from childhood to his death aged 39 in New York, 'Portrait Of Dylan' is a powerful, moving account of Dylan's life, loves and lyrics.

  • Resonant Frequency (2m, 1f, 2m/f)
  •   A young mother who gains a son then loses him; an immigrant Italian ice cream shop owner with a large heart but a murky past; a slightly psychotic boffin and a pair of slightly out-of-this-world people who interview the three others form the cast for this fascinating play. Boffin is a person walking a tightrope between genius and insanity, reality and fantasy. His invention and subsequent over-reaction to a simple incident involving Mother and Toni has the potential to snuff out all human life.
  • The Audition (2f) (Strong language & content)
  •   How far will an actress go to get a part? How far does the Director need to push? A psychological drama exploring the relationship between Director and actress at an audition where the normal rules and etiquette have been dispensed with. A most unusual play.
  • The Cherry Boys (9m,4f)
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    A boy rating takes his first job on a cruise ship in the 1950's and is forced to come to terms with homosexual members of the crew when he is barely coming to terms with his own newly awakened interest in girls. A poignant story based on events that happened in real life; about relationships between, and in between, the crew and their passengers.

  • The Magdalen Whitewash (4m/16f)
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    Winner - YOUTH DRAMA AWARD: Kent Drama Festival (Youth Drama Challenge Cup) 2009
      Brought to recent attention by the film 'The Magdalene Sisters', this play vividly portrays the despair and inhumanity inflicted on the 'Maggies' - those unfortunate girls who had the misfortune to be institutionalised in the Magdalen Laundries. Their crimes? Being pregnant mainly. Their punishment? To be separated from their familes and work long hours in the laundry. Requires a mostly young cast.
  • The Revolutionaries (18m,6f)
  •   An important moment of history is highlighted in ‘The Revolutionaries’. The theme of the play is the fight for power around the time of Lenin's death and takes place in the aftermath of the 1917 Russian Revolution. Lenin knew he was dying and was concerned about who might be his successor. He favoured Trotsky, but as history tells, Stalin was very much in the way.
  • Free And Easy (5m, 4f)
  •   Enjoy a real nostalgia treat with this gently humorous, hugely entertaining, piece of escapism. Set to a backdrop of over fifteen hits of the 50s and 60's, we follow the trials and tribulations of Eric Dobbins, the dryly nonchalant publican, and his matriarchal wife, Iris (a stereotypical landlady), as they, their staff and their regulars fight to save the pub from the unscrupulous hands of the brewery manager who sees it as a potential lap-dancing venue. Requires a cast of competent singers and a three-piece band.
  • Lumley Mill (18m, 20f)
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    Set in the fields and farms of England circa 1890. John Bartlett's play is a lovingly created look back at those simpler times of shepherds and squires; innocence and indulgence; Morris men, maidens and milk-maids. Using traditional English folk tunes, this play is an unusual, but fascinating glimpse at the social mores and constraints of Victorian agricultural society. The cast list is quite large, so there is ample scope for doubling if necessary, or for involving a large number of actors where this is possible.

  • The Giggleswick Players Do 'Full Frontal' (8m, 11f) 100 mins
  •   An affectionate behind-the-scenes look at life both on and off stage at an Amateur Dramatics group. With ambitions that are amorous as well as artistic, romances flourish and fail, in the midst of the Directors attempts to stage a musical comedy. Requires several competent singers and dancers - even though the parts they are playing can't sing or dance (or act for that matter).
  • Sunshine Mountain (15m, 11f, 3m/f)
  •   Set in the mid-1930's, a group of excitable children are taken to the seaside for a day. An endearing look back at more relaxed past times, when Sunday School charabanc outings were very popular and deckchair attendants ruled the beach! Suitable for either adult or school productions.
  • Dylan (5m, 3f) (Strong language & content)
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    The dance musical version of 'Portrait Of Dylan' (see above) which combines the text of that play with superb, professionally recorded music on CD. Dance sequences can be imaginatively used during these musical interludes to complement the spoken action.

  • Revelation Of The Velvet City (5m,3f) 110 mins
  •   A rather sinister portrayal of the murky divide between good and evil, passive and active, order and chaos. The Righteous and The Meek struggle to each gain the upper hand in a battle for survival as the end of the world approaches. The five acts break neatly into the equivalent of a two act play.
  • Where You Going, Bobby Fortner (7m, 4f)
  •   Bobby, living in a small American town, discovers that illegal dumping of toxic chemicals is taking place in the local river, but nobody in the town seems to be interested - not even the Sheriff. In passing, he mentions it to his doctor who agrees to help Bobby find the culprits as the town's water supply is at risk. This play for young adults raises topics of the environment, collusion, teenage relationships and trust.
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